Tag Archives: publishing

Why Does KDP Put the “Not for Resale” Strip on the Proof Cover?

Thanks to Chris McMullen for providing this very important update.

What I choose to do with my own property (a proof copy) is my own business, not Amazon KDP’s business.

I will not be starting any new projects with them, now that CreateSpace is defunct.

PROTECT YOUR PROPERTY RIGHTS: PROTEST TO AMAZON KDP THIS USURPATION OF OWNERSHIP

What cheek! There is no end to Amazon’s brass neck!

WE are the authors. WE are the publishers. WE are the copyright owners, which includes owning the right to dispose of any printed proof copies in our possession in any way we see fit, whether we sell them as seconds, or as one-of-a-kind versions that someday may well become more valuable to their subsequent owners than ownership of an “approved” version copy that many other people may purchase.

Moreover, any subsequent owner of a printed book has the same right to dispose of his own property by re-selling it. This is a boon to authors, for while we do not realize any more revenue from a re-sale, we do get more eyes on our works. This is akin to the loaning of a copy purchased by a public library: A library is exercising its property rights by loaning what it owns, and the exposure constitutes advertising for authors.

DON’T LET AMAZON GET AWAY WITH LARCENY!

This theft also constitutes COPYRIGHT INFRINGEMENT, because Amazon is falsely claiming ownership of the sole right to dictate the disposition of a copy of another person’s intellectual property, and thus that the revenue Amazon gained from the initial sale of the proof copy to the author constitutes the only revenue that can be generated by that copy of that work.

THIS FRAUDULENT BEHAVIOR MAY BE GROUNDS FOR A CLASS-ACTION LAWSUIT AGAINST AMAZON.

I believe this action on Amazon’s part constitutes consumer fraud, larceny, and a form of copyright infringement, and thus may be grounds for a class-action lawsuit seeking an injunction, damages for lost revenue, and litigation costs. Authors in the hundreds, if not thousands (or even more, considering Amazon KDP’s volume of Indie author output) may have in their possession such ill-branded proof copies, and if they unite, they can put a stop to this practice.

For basic information about class-action lawsuits, see this website:

https://www.jacobymeyers.com/questions-about-class-action-l.html

Please advise via this reply form if you have been victimized by the “Not for Resale” strip:

 

 

chrismcmullen

NOT FOR RESALE (AUTHOR PROOFS)

Ever since I made the switch from CreateSpace to KDP Print, when I order a proof copy there is a horizontal “Not for Resale” strip running across the front cover, spine, and back cover.

CreateSpace didn’t add this strip, but KDP does.

(To be clear, this is just for PROOF copies. Once you publish your book, you can order AUTHOR COPIES that don’t have this strip. It’s just the PROOF copies that are affected.)

Sometimes, that strip interferes with part of the cover that I’m trying to proof. In particular, it often prints over words on the spine or back cover.

My solution is to open the PDF of the cover in Photoshop, crop the image to just the back cover, and print the back cover on my home printer. Similarly, I crop the cover to take a magnified close-up of the spine text and…

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The Curse of Aldo Manuzio.

Read more about Aldo Manuzio (alias Aldus Manutius) HERE.

 

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Lulu is Getting a New Look! | | Lulu Blog

Click on the new Lulu logo to find out more.

I started out as an Indie Author-Publisher with CreateSpace, and was content to leave it that way for several years. Then I tried Lulu, and found their output to be just as good, their range of print options to be more varied, and their customer service to be superior.

Lulu also distributes to all of the major online outlets and to Ingram. Moreover, at the Lulu Store, I can price my books more reasonably than the list prices that are required for non-Amazon-originated publications that are listed for sale at that Major Online Retailer – and I can still receive a reasonable return on my investment of time and talent.

As far as publishing costs are concerned, although the costs of copies in some standard trim sizes at CreateSpace were less than at Lulu, CreateSpace shipping and handling fees tended to cancel out the difference, because Lulu frequently offers discounts on purchases and free shipping (and sometimes both at the same time), while CS never did in the six years I’ve been enrolled there as a publisher.

The advantage of my continuing to publish with CreateSpace was that I could obtain a free ISBN for my autograph books, which are in a non-standard trim size, and they are automatically offered on Amazon (although their being non-standard disqualifies them from distribution to other outlets). Lulu doesn’t offer a free ISBN for nonstandard trim sizes, so if I wanted those books to have them, I would have to purchase my own, which is prohibitively expensive, for me. At Lulu, not having an ISBN for a book in any trim size restricts sale of that book to the Lulu Store, which at present is a discoverability disadvantage; nevertheless, my Lulu-printed autograph books are larger than the CS-printed ones (7″ x 9″, versus 6″ x 8.25″), which is an advantage to my customers.

But the game is about to change, because of alterations by Amazon to its printing business portfolio. I’ve read some of their explanatory posts regarding the impact of those changes on works formerly published through CS, but I’m not reassured about the ultimate outcome.

I’m apprehensive about my being forced to comply with Amazon’s self-serving protocols, such as Kindle ebook participation (because I have always opted out of that for my works published through CreateSpace, having preferred to use Smashwords), and the pressure Amazon puts on authors to give away their work, which falsely inflates Amazon’s “sales” statistics with freebie distribution numbers. (Lulu also produces ebooks, but Irish Firebrands is the only one of the many titles I have out that can be published digitally, and I haven’t gotten around to looking into that, yet).

I’m also displeased with the additional month of postponement in royalty payments that will occur with the transfer of CS titles to the KDP line: a move that’s calculated to squeeze as much revenue as possible out of participating Indie Author-Publishers, by Amazon’s earning an extra month’s interest on our royalties that they have on deposit pending payout.

It’s possible that other prejudicial actions may be taken, particularly against those of us who also publish through other print-on-demand providers who distribute to Amazon. For example, many weeks after having successfully put out Volume 2 of the two-part paperback second printing of Irish Firebrands, and having seen it appear at Amazon, I unexpectedly received a notice that the file was “corrupted” and needed to be fixed (no details provided) for it to be sold through that retailer.

Perhaps Indies who don’t publish exclusively through the Amazon system are going to be dumped, and that smacks of attempts to establish a monopoly – which sticks in my craw. It’s anybody’s guess how this is all going to fall out, but CreateSpace’s days are numbered – and so may be mine, in the Major Online Retailer’s grand scheme.

Now that the Amazon knife is poised at the CreateSpace throat, Lulu – with its stated commitment to printing on paper – may be in the position to step into the void that will be left by the coming demise. If you decide to publish with Lulu, be sure to let us know, so we can help drive more traffic there and improve discoverability and sales for all Indie Author-Publishers.

 

Lulu Logo Source: Lulu is Getting a New Look! | | Lulu Blog

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